PRESS RELEASE: Tonight at NYC's DiMenna Center: Steven Mackey & Jason Treuting's "Orpheus Unsung"
"Employing countless combinations of effects pedals and knobs, Mackey produced more sounds than a large orchestra, Treuting step for step with him on the ever-shifting rhythms. …a fascinating musical vision…”
— Rob Hubbard, Pioneer Press on Orpheus Unsung
Join composer-guitarist Steven Mackey and composer-percussionist Jason Treuting tonight at NYC's DiMenna Center, to celebrate the release of their first collaborative album, Orpheus Unsung, on New Amsterdam.
The "smart and dazzling" (Village Voice) quartet So Percussion (of which Treuting is a member) will take part in the festivities as well, performing in sections of Orpheus Unsung, as well as doing their own set of music selected from their illustrious repertoire.
All attendees will also receive a FREE CD with ticket purchase! More info and tickets here.
Orpheus Unsung is an hour-long narrative for solo electric guitar (Mackey) and drums (Treuting) that traces the Greek myth of Orpheus in the underworld, casting Mackey's electric guitar as the disembodied voice of the legendary musician, poet, and prophet Orpheus. Mackey's virtuosic and exposed performance portrays Orpheus as he seeks to reverse fate and regain his irrevocably lost love, Eurydice, through the power of his divine musical gifts.
According to legend:
Orpheus marries his true love Eurydice. Following the wedding, Eurydice is bitten by a snake and dies. Orpheus cannot bear this and embarks on a perilous journey to the underworld with the aim of bringing her back. Orpheus’s musical gifts are supreme, animals, plants and even stones move in order to better hear him sing and play his lyre. He sings his plea to the ruler of the underworld who does allow him to take Eurydice back with him under the condition that he not look back to check to see if she is still there. When Orpheus crosses the threshold back to the surface he can no longer resists and he looks back but Eurydice has not yet crossed and she is immediately drawn back to the underworld, gone forever. Orpheus mourns but eventually comes to terms with his loss. Later, a mob of Thracian women in a Dionysian Orgy rip Orpheus apart. Dismembered, his head and lyre float down a stream, his head still singing and his lyre still playing, until they rest at the head of the stream and become an oracle.
Although Orpheus's tale is slim, it feels expansive. The story encompasses huge mysteries and complex truths about separation, loss, love, will, weakness, and perhaps most compellingly, the artist’s dream embodied by Orpheus himself: of creating expression so persuasive, clear, and powerful that it might even alter the immutable, and stand against death.
The concept of Orpheus Unsung was first developed as an opera without words by Mackey and filmmaker, designer, choreographer and director Mark DeChiazza, with Mackey composing the score with Treuting. The project was co-produced by Liquid Music, of Saint Paul Chamber Orchestra and Guthrie Theater, and premiered in June 2016 at the Guthrie Theater in Minneapolis in a production conceived, choreographed and directed by DeChiazza and featuring performances by Mackey, Treuting and an ensemble of three dancers.
The album was produced by Mackey, mixed by Tom Laxurus and mastered by Joe Lambert. It was recorded at Guilford Sound by David Snyder, with editing by Snyder and Matt Hall serving as the assistant engineer.
Development of the work was made possible by a Baryshnikov Art Center Space Grant, an on-stage residency at Carleton College, and the Princeton University David A Garner '69 Magic Grant.
Steven Mackey (top) and Jason Treuting (bottom) performing Orpheus Unsung.
Photo credit: Jayme Halbritter Photography
Orpheus Unsung Tracklisting:
Act I: Super Terram
1. Orpheus Cowboy
2. The Wedding STREAM TRACK
4. First Lament
5. Pursuit and Trespass
Act II: Sub Terra
7. Stalactites WATCH MUSIC VIDEO
8. … and other strange things
9. Lyre Music
11. The Look
Act III: Super Terram
12. Final Lament
13. Orpheus Redux
14. The Mob
15. Orpheus Oracle (The Stream)