BOSTON GLOBE:
The paranoid style in American jazz music

BOSTON GLOBE: The paranoid style in American jazz music

BY JON GARELICK

"Schoenberg's 12-tone method became the template of academic modernism, and film composers drew on it particularly to create noir-ish moods. You can hear this influence in the tense harmonies, unmoored from a tonal center, throughout 'Real Enemies,' the stabbing single-note piano figures and stuttering muted brass."

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