Praised by The Chicago Tribune as "minutely crafted" and "utterly lovely," The New York Times as "whimsical" and "surreal," and The Washington Post as "dark and deeply poetic," the music of composer MARCOS BALTER (b.1974, Rio de Janeiro, Brazil) is at once emotionally visceral and intellectually complex, primarily rooted in experimental manipulations of timbre and hyper-dramatization of live performance. His works have been featured worldwide in venues such as Carnegie Hall, Köln Philharmonie, the French Academy at Villa Medici, New World Symphony Center, Park Avenue Armory, Teatro de Madrid, Tokyo Bunka Kaykan, Baryshnikov Arts Center, Teatro Amazonas, Le Poison Rouge, and the Museum of Contemporary Art of Chicago. Recent festival appearances include those at Lincoln Center's Mostly Mozart Festival, Ecstatic Music Festival, Acht Brücken, Aldeburgh Music Festival, Lockenhaus Kammermusikfestival, Aspen, ACO's SONiC Festival, Frankfurter Gesellschaft für Neue Musik, Darmstadt Ferienkurse, Color Field, Musica Nova, and MATA's Interval Series. Past honors include commissions from Meet the Composer, Chamber Music America, The Fromm Foundation at Harvard University, The Holland/America Music Society, The MacArthur Foundation, and the Art Institute of Chicago, fellowships from the John Simon Guggenheim Memorial Foundation, Tanglewood Music Center/Leonard Bernstein Foundation, and Civitella Ranieri Foundation, as well as first prizes in several national and international composition competitions. His works are published by Schott NY, and commercial recordings of his music are available through New Amsterdam Records, New Focus Recording, Parlour Tapes+, and Navona Records.