David T. Little

DAVID T. LITTLE is “one of the most imaginative young composers” on the scene (The New Yorker), with “a knack for overturning musical conventions” (The New York Times). His operas Dog Days, JFK, and Vinkensport(librettos by Royce Vavrek), and Soldier Songs have been widely acclaimed, “prov[ing] beyond any doubt that opera has both a relevant present and a bright future” (The New York Times).

Other recent works include how it begins / how it ends (London Sinfonietta / BGSU), The Conjured Life (Cabrillo Festival / Cristian Măcelaru), Ghostlight—ritual for six players (eighth blackbird / The Kennedy Center), AGENCY (Kronos Quartet), and dress in magic amulets, dark, from My feet (The Crossing / ICE). Little is currently composing a new opera with Royce Vavrek, commissioned by the Metropolitan Opera / Lincoln Center Theater new works program, and the music-theatre work Artaud in the Black Lodge with poet Anne Waldman (Beth Morrison Projects).

His music has been presented by the LA Philharmonic, Carnegie Hall, LA Opera, the Park Avenue Armory, Holland Festival, the Bang on a Can Marathon, BAM Next Wave, Opéra de Montréal, and elsewhere. He co-founded the New Music Bake Sale, previously served as Executive Director of MATA, and from 2012-2018, served on the board of directors at Chamber Music America. He teaches Composition at Mannes-The New School, and from 2014–2017, served as Composer-in-Residence with Opera Philadelphia and Music-Theatre Group. The founding artistic director of the ensemble Newspeak, his music can be heard on New Amsterdam, Innova, and National Sawdust Tracks labels.

David T. Little is published by Boosey & Hawkes.


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