Darcy James Argue's Secret Society (BOOKING)

 

Darcy James Argue's Secret Society

“For a wholly original take on big band’s past, present and future, look to DARCY JAMES ARGUE” — so says Newsweek’s Seth Colter Walls. The Vancouver-born, Brooklyn-based composer and bandleader has toured nationally and internationally with his 18-piece ensemble, Secret Society, garnering countless awards and nominations and reimagining what a 21st-century big band can sound like. “It’s maximalist music of impressive complexity and immense entertainment value, in your face and then in your head” writes Richard Gehr in the Village Voice.

Argue made his mark with his critically acclaimed 2009 debut Infernal Machines. 2013 saw the release of Brooklyn Babylon, which, like Infernal Machines before it, earned the group nominations for both GRAMMY and JUNO Awards. His most recent recording, Real Enemies, released in the fall of 2016, earned a third consecutive GRAMMY nomination and has been praised as “wildly discursive, twitchily allusive, a work of furious ambition… deeply in tune with our present moment” by The New York Times’ Nate Chinen.

Proclaimed “a mind-blowing example of truly great, era-defining jazz composition, and a contender for album of the year” by London Jazz News’ John L. Walters, Real Enemies is a 13-chapter exploration of America’s fascination with conspiracy theories and the politics of paranoia. The album grew out of a multimedia work Argue co-created with writer-director Isaac Butler and filmmaker Peter Nigrini for the 2015 BAM Next Wave Festival, in a uniquely immersive experience that Stereophile’s Fred Kaplan called “a remarkable work, maybe an oddball masterpiece: riveting, head-spinning, at once spooky and witty, abstrusely complex and foot-tappingly propulsive.” The multimedia performance was next staged at the 2016 Holland Festival, a production JazzNu’s Rinus van der Heijden praised as “a visual and auditive spectacle without precedent, which overwhelms, dwarfs, and makes you aware that innovation in music theatre is still possible.”

Secret Society maintains a busy touring schedule, with European, Canadian, and South American tours, global festival performances, and four appearances at the Newport Jazz Festival. Secret Society’s performances have been celebrated for their “slashing fury and awesome full-ensemble precision” (The New York City Jazz Record), “brilliant soundscapes” (Globe and Mail) and “gorgeous musical details, maneuvers and transformations” (Ottawa Citizen). Their London Jazz Festival debut was declared “a contender for gig of the year” by The Guardian.

For all booking inquiries, please contact Laura Kaae.

 
 

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