Invisible Anatomy

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INVISIBLE ANATOMY is a composer-performer ensemble that explores the human body as the most fundamental aspect of music creation and performance. Incorporating elements from classical, jazz, experimental rock, performance art and theater, Invisible Anatomy (IA) creates performances that combine an omnivorous stylistic palate, virtuosic physicality, and dramatic visual presentation. IA’s inaugural show BODY PARTS dismembered, manipulated, and reanimated bodies in performance – creating a chattering chorus of woodblock teeth and screaming eyes on TV screens. After the group’s 2015 debut concerts in New York City, they were invited to China for three shows, including a featured solo concert at the Beijing Modern Music Festival. IA’s second season opened with an intimate house concert of BODY PARTS hosted by David Lang, followed by the world premiere of Dissections at Brooklyn’s National Sawdust, which was the subject of a full-length feature in the Village Voice. IA performed DISSECTIONS at Pomona College and The Blue Whale in Los Angeles in February 2016, and appeared on Heartbeat Opera’s Collaboret Series; at Roulette Intermedium in Brooklyn; at the Yale School of Music in New Haven; and at Ars Nova’s ANT Fest in Manhattan. The group was the runner-up in the 2016 SAVVY Chamber Competition at the University of South Carolina School of Music, and recorded their debut studio album in June.

On Halloween 2016, IA produced FUNHOUSE, an immersive presentation of art installations and performances in a prewar Victorian Harlem brownstone. Upcoming engagements include a gala performance hosted by Pulitzer Prize-winning composer Aaron Jay Kernis, an evening-length show at Roulette in Brooklyn, as well as appearing on the Detroit Institute of Art's Friday Night Live series in March 2017. 

IA’s members have been awarded honors from the American Academy of Arts and Letters, ASCAP, American Composers’ Forum, and the China National Arts Fund. IA is fiscally sponsored by Bang on a Can, and is the recipient of a 2017 Foundation for Contemporary Arts Grant.