Trumpeter, santur player, vocalist, and composer AMIR ELSAFFAR has distinguished himself with a mastery of diverse musical traditions and a singular approach to combining Middle Eastern musical languages with jazz and other styles of contemporary music. A recipient of the 2013 Doris Duke Performing Artist Award, ElSaffar has been described as “uniquely poised to reconcile jazz and Arabic music without doing either harm,” (The Wire) and “one of the most promising figures in jazz today” (Chicago Tribune).
ElSaffar is an expert trumpeter with a classical background, conversant not only in the language of contemporary jazz, but has created techniques to play microtones and ornaments idiomatic to Arabic music that are not typically heard on the trumpet. Additionally, he is a purveyor of the centuries old, now endangered, Iraqi maqam tradition, which he performs actively as a vocalist and santur player. As a composer, ElSaffar has used the microtones found in Iraqi maqam music to create an innovative approach to harmony and melody. Described as “an imaginative bandleader, expanding the vocabulary of the trumpet and at the same time the modern jazz ensemble,” (All About Jazz), ElSaffar is an important voice in an age of cross-cultural music making.
ElSaffar’s most recent Two Rivers release, Crisis (2015, Pi Recordings) chronicles the continuing development of trumpeter his critically acclaimed Two Rivers Ensemble, a band purpose-built to explore the juncture between jazz and music of the Middle East, in particular the Iraqi maqam. The new work is his reflection on a region in turmoil and strife: revolution, civil war, sectarian violence; a culture’s struggle for survival. It sets aside some of the more exploratory work that he has done in recent years to focus on music that is passionate and visceral, a cry from the heart. Crisis was commissioned by the Newport Jazz Festival, where at its 2013 premiere, it made a clear emotional connection to the audience, receiving a rousing standing ovation after just the first piece.
In 2006 founded Safaafir, the only ensemble in the US performing Iraqi Maqam in its traditional format. Later the same year, ElSaffar received commissions from the Painted Bride Arts Center in Philadelphia and from the Festival of New Trumpet Music (FONT), to compose Two Rivers, a suite invoking Iraqi musical traditions framed in a modern Jazz setting. ElSaffar has since received commissions from the Jazz Institute of Chicago (2008), the Jerome Foundation (2009), Chamber Music America (2009), Present Music (2010), The Metropolitan Museum of Art (2013), The Newport Jazz Festival (2013), Morgenland Festival (2013) and the Royaumont Foundation (2014), creating works integrating Middle Eastern tonalities and rhythms into an contemporary contexts.
He currently leads four critically-acclaimed ensembles: Two Rivers, which combines the musical languages and instrumentation of Iraqi Maqam and contemporary jazz; the Amir ElSaffar Quintet, performing ElSaffar’s microtonal compositions with standard jazz instrumentation; Safaafir, the only ensemble in the US performing and preserving the Iraqi Maqam in its traditional format; and The Alwan Ensemble, the resident ensemble of Alwan for the Arts, specializing in classical music from Egypt, the Levant, and Iraq. In addition, he has worked with jazz legend Cecil Taylor, and prominent jazz musicians such as Mark Dresser, Gerry Hemingway, Marc Ribot, Henry Grimes, and Oliver Lake. ElSaffar has appeared on numerous recordings, and has released six under his own name, Magams of Baghdad (2005), Two Rivers (2007), \Radif Suite (2010), Inana (2011), Alchemy (2013), and Crisis (2015).