Lean Back and Release Molly Joyce
LEAN BACK AND RELEASE
Lean Back and Release is the debut recording from composer Molly Joyce. The work is a digital EP featuring two tracks for solo violin with live and pre-recorded electronics performed by violinists Adrianna Mateo and Monica Germino, and received press from multiple outlets, including being praised as an "intoxicating, deepening experience" by Das Klienicum and an interview with Joyce by the Hartford Courant, which proclaimed that "with 'Lean Back and Release,' Joyce's music will likely receive even more acclaim."
The title track of the EP, "Lean Back and Release," acclaimed for being written to "superb effect" by The Wire, was first performed professionally at the 2014 Bang on a Can Marathon by violinist Adrianna Mateo, for which Mateo was praised as "triumphant" by Time Out New York. The piece is driven by a very gradual descent for the violin in range, imagining the violinist steadily “leaning back” and finally “releasing” the distinct low register of the violin. Two accompanying pre-recorded violin tracks accompany the live violin in order to propel this descent. The recording was engineered and mixed by Andrew McKenna Lee, and mastered by Greg Kalember.
The title track is followed by a more recent work, "Shapeshifter," originally written for the Dutch duo of violinist Monica Germino and sound engineer Frank van der Weij. Premiered in April 2015 in The Hague and Amsterdam, "Shapeshifter" is motivated by the concept of control and losing it. It is driven by the fact that with the duo, Frank is typically not seen visually, and therefore the idea of him controlling Monica’s sound and gradually letting go of that control is highlighted throughout the piece, and for Monica to gradually “shape-shift” to a new and divergent sound. The recording was engineered by Frank van der Weij, Krišs Veismanis, and mixed by Michael Laurello, and mastered by Greg Kalember.
Molly Joyce on both works:
"'Lean Back and Release' and 'Shapeshifter' represent some of my first explorations into composing for acoustic instruments with accompanying electronics, and specifically how these instruments' sounds can transform electro-acoustically. With both works I was striving for a clear form that is driven by the changing range of the solo violinist, and how that change can be driven by an electronic backing track that is also derived from the acoustic violin.
Both pieces are also very much inspired by the violinists they are written for, and were written to challenge and showcase Adrianna and Monica's talents in new and unexpected ways."